I tell the family the order in advance so that there is no arguing or delay in deciding who is next.
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Pro Tip:ĭuring individual photos, I keep the family nearby and have the mom and dad make sure the next kid is ready to go.
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It’s easy to get four or five shots during this series of individual poses. I always ask them to jump or dance so I can capture movement as well.
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I’ll get a full body shot and then move closer and take a close-up of the child’s face. I always use a portrait lens for individual photos. As I’m talking, I’m always moving around to capture different angles. This is great information because I can hold their interest by talking about the characters they love. Kids always love to tell me about their favorite show. I use the same tricks as with the siblings together - I compliment them, tell them jokes and just keep talking to them.
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You might also like: Mini session madness: How to avoid the 4 most common pitfallsĪfter the children and I have had some fun, I quickly break them up and take a shot of each kid individually. Then I tell them to freeze, take the shot, ask them to walk, take the shot, and then ask them to look at someone in the family and make them laugh. Next, I have the family line up as if they are about to walk. If I’m having trouble with the first “everybody smile” shot and am not getting authentic smiles, I jump to this unposed shot first and then go back and try for posed smiles.
This is where I tell them to look at someone in the family, make them laugh, tickle them, sing to them, hug them, whatever they know makes them happy as a family. Once we get some smiles and giggles we move right into the “unposed” images. However, this is what people are most comfortable doing and it’s a great way to start them out. Will this be their favorite shot of the session? Maybe and maybe not. To get them warmed up, I always ask the family to look at me and smile. Here’s my typical flow for the family shots: Being all together helps the kids warm up to me while their parents are close by. This is their comfort zone! You can start with whatever pose you feel is right for you and your style, but I do feel like it’s important to start with the clients as a whole family.
And voila! We get the following results… Now here’s the finished photo where the bowl and stem of the glass have been made transparent so the background shows through.I always start out photographing the family together. Next we tweak our photo to make the bowl and stem of the glass transparent and accentuate the highlight on the right side of the glass to make the background show through. Here’s the original photo of wine bottle and glass overlaid on the same background photo but this time it’s color. Here’s the original photo of wine bottle and glass overlaid on a black and white photo. Notice how the bowl of the glass looks like a white blob. If we simply cut out the bottle and glass from the white background and laid it on a photo or textured background on a website or printed collateral, the result would look awkward.
The original shot of wine bottle and glass on a white background. While I won’t get into the specifics on how to do this (many tutorials can be found on the web), I will show you the following examples of the results along the way.įirst the original photo of the bottle and glass photographed together. This may sound pretty easy but if you want it to look seamless and somewhat natural, you need to implore some Photoshop magic. The challenge? Clip out the bottle and glass from the background so the photo can be overlaid on their website, which has a photo background. Aside from creating classic wine bottle shots of their current releases, I was tasked with photographing a minimally styled bottle shot that included a wine bottle and glass of wine. Recently, I completed another project for my friends at Vineyard in Calistoga. Now here’s the finished photo where the bowl and stem of the glass have been made transparent so the background shows through… this time against a color background.
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